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5 practical methods we use to speak about peacebuilding

Talking about peace is not always easy. Concepts such as conflict, identity, power, and reconciliation can feel abstract or emotionally charged, especially for young people. In the MY PEACE project, music is used as a starting point and not as a performance, but as a tool for dialogue, reflection, and connection.

Below are five practical methods we use to explore peacebuilding through music with young people and mixed groups. All of them are adaptable, inclusive, and grounded in non-formal education practice.

Walk and talk: peace in motion

What it is:

Participants pair up and walk together while discussing guided questions related to peace, conflict, and music.

How it works:

Walking side by side reduces pressure and hierarchy. Conversation flows more naturally, and silences feel less uncomfortable. Music can be played at certain points or discussed as part of the reflection.

Why it works for peacebuilding:

  • Encourages active listening
  • Supports deeper personal reflection
  • Creates equal space for both participants

Example questions:

  • When has music helped you cope with conflict or tension?
  • Can music help people who disagree stay in dialogue?

World Café: multiple perspectives, one conversation

What it is:

Small group discussions rotate around different tables, each focusing on a specific question or target group related to peacebuilding through music.

How it works:

Each table hosts a theme, such as:

  • Young people and peacebuilding
  • Musicians as social actors
  • Educators and youth workers
  • Community and peacebuilding stakeholders

Participants move between tables, building on ideas from previous groups.

Why it works for peacebuilding:

  • Values diverse perspectives
  • Encourages cross-sector dialogue
  • Shows peacebuilding as a shared responsibility

Opinion line: exploring differences safely

What it is:

Participants position themselves along a line in response to statements about music, peace, and social responsibility.

How it works:

Statements are read aloud (for example “Music can influence social change”). Participants stand where they feel they belong between “agree” and “disagree,” then explain their reasoning.

Why it works for peacebuilding:

  • Normalises disagreement
  • Builds respect for different viewpoints
  • Encourages critical thinking

This method is especially useful for addressing sensitive topics without confrontation.

Creative storytelling: from conflict to peace through sound

What it is:

Small groups create short sound-based stories that move from conflict to dialogue to peace.

How it works:

Participants use voice, rhythm, objects, or instruments instead of words. The focus is on expression, not musical skill.

Why it works for peacebuilding:

  • Allows non-verbal communication
  • Encourages empathy and imagination
  • Makes abstract concepts tangible

This method is particularly inclusive for participants who find verbal discussion challenging.

Sound circles: listening as a peace practice

What it is:

Participants sit or stand in a circle and collectively create sound, one by one, by adding simple rhythms or tones.

How it works:

There is no leader and no right or wrong sound. Participants must listen carefully to one another to maintain harmony.

Why it works for peacebuilding:

  • Teaches listening and patience
  • Demonstrates interdependence
  • Builds trust and collective awareness

Sound circles are powerful both as energisers and reflective closing activities.

Why these methods matter

Peacebuilding is not only about speaking, but it is about listening, sensing, and connecting. These methods use music to open spaces where young people feel safe to explore complex topics, express emotions, and engage with difference.

All five approaches are flexible and can be adapted to different group sizes, contexts, and abilities. Together, they form a practical toolkit for anyone interested in using music as a bridge toward dialogue and peace.

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