Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

Learning Materials

2 Methodology – Training Week at Le Rocher de Palmer

This document presents the overall methodology of the MY PEACE YOUTH training week hosted at Le Rocher de Palmer. It outlines how the programme combined participatory workshops, reflection spaces, meetings with local organisations, cultural visits, and collective music creation to explore peace through artistic practice. It also highlights key pedagogical choices, like group-building, local anchoring, and intercultural collaboration, that supported learning and meaningful youth participation.

3. My Peace - WP4 Learning Materials

Drawing on the work of organisations such as Peace Through Music International — which has reached over 20,000 children across conflict zones since 1999 — and the Glencree Centre for Peace and Reconciliation, this material demonstrates how creative arts education can help young people, particularly those affected by conflict and displacement, to heal, connect, and develop vital social skills.

Whether through singing, instrument learning, storytelling, or structured dialogue, the approaches gathered here share a common belief: that music and creative expression have the capacity to bridge divides, build empathy, and foster lasting peace within communities. This collection of learning materials is intended for educators, youth workers, and community organisations looking to bring these principles into their own practice.

4 WP4 Outside Media & Knowledge Contribution – Learning Materials & Courses

This resource list introduces external organisations and educational materials that can support peace education and “music for social change” approaches. It briefly explains why each resource is useful, offering examples ranging from inclusive music programmes (like Musaik) to peace education centres and ready-to-use teaching materials linking music and peacebuilding. It is designed as a practical starting point for facilitators looking for inspiration, partnerships, or structured tools.

5 Session 1 – Peacebuilding through Music (Walk and Talk)

This session invites participants to explore peacebuilding through an experiential outdoor (or moving) format built around listening, reflection, and dialogue. Through a collective sound energiser and rotating “walk and talk” conversations, participants connect personal experiences of music with broader themes like empathy, conflict, healing, and social responsibility. It closes with a simple creative reflection that turns insights into shared peace messages.

6 Session 2 – Peacebuilding through Music (World Café)

This session uses a World Café method to explore how different actors can contribute to peacebuilding through music. Participants rotate between themed tables (young people, musicians, educators, and peacebuilding stakeholders) to map strengths, needs, and opportunities for cooperation. By the end, the group produces a shared overview of roles and partnerships, encouraging collective ownership and practical next steps.

7 Session 3 – The Balloon of Peacebuilding

This session introduces peacebuilding concepts through a simple, visual metaphor: a balloon that can rise, or be held down by “weights.” Participants identify what peacebuilding means, who should be involved, how young people can participate, and what barriers prevent progress. The activity supports critical thinking and ends by turning obstacles into realistic actions, including discussion of how music can help “lift” the process.

8 Session 4 – Line of Opinions

This session creates a safe and dynamic space for exploring different viewpoints on peacebuilding through music. Using a physical “agree–disagree” line, participants respond to provocative statements about neutrality, activism, impact, and youth voice. The format strengthens listening and respectful disagreement, helping the group reflect on how music shapes social debate and how peacebuilding often requires navigating complexity rather than seeking one “right” answer.

9 Session 5 – Creative Storytelling on Peacebuilding

This session focuses on creative, non-verbal expression by using sound and music as a storytelling tool. Participants work in small groups to create short “sound stories” that move from conflict to dialogue to transformation, using voice, rhythm, objects, and optional lyrics. The session builds empathy and collaboration, while showing how music can communicate peace messages beyond language barriers.
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